Wolfgang
Guest
- Joined
- Jul 10, 2008
- Messages
- 85
Hello,
just played around with some of my paints to gain back some practice in painting. I realized studying some of the intersting threads here at the forum on painting (aaah can't get enough of those!!!!) that quite a few of you use the grey automotive sprayprimer. Well it never really worked for me, must have gotten the wrong brands, what I used was either ending up as a shiny grey basecoat that peeled off at some occassions or -even when keeping the right spraying distance between nozzle and figure- a too rough almost textured surface. OK that was with my beloved 75mm Elastolins but I doubt that the results would have been any different in 54 mm. I than came back to the ancient Plaka "school" paints - if you had grown up in germany you surely would know these actually really good "casein" posterpaints. The where around long before acyllics became widely available. German Zinnfiguren collectors and painters swear on a white Plaka basecoat for their figures. Still this did not make my day since the white pigments in the paint soaked up a lot of the later applied paint. Irregular basecoat (difficult to avoid with most paints) resulted in a irregular basecoat - somehow.
Then I gave GESSO a try, that is the stuff artists prime their canvasas with. A very thik and heavy paint, almost a paste. Well the secret is to dilute it with a good portion of (god dont know the correct english word so I call it
"battery"-water and some drops of acrylic fluid improver. Cover your figure twice with a thin coat. Looks rather odd once dried (which takes quite some time - at best overnight) but you will love it. This basecoat really got teeth which will hold your paint in place and help tu ensure an even coverage. Remember Primer ist not your first coat of colour but your base (canvas) to paint on - no need for your troops to look like pieces of chalk - it is the "gripping" effect of the Gesso-mix that will make painting a success. The dull silver whitmetal may (must) very well be visible through such a thinly applied coat. Have not tried it with Humbrol Gloss yet but when acryllics "swimm" happily and evenly on such a coat so will Humbrol.
You should get Gesso everywhere at the local arts dealer shop. Price should be within the 10 € range - ah whereever you may live. One pot (?) will last a collecters lifetime. As for the "B-water" check your local GAS-STATION. If you can' t get the flow improver - or if you are an professional pennysafer -at your art shop, use a drop (YES JUST ONE!) of dishwashing-liquid (.. is that correct???) ... anyway give it a try
regards
Wolfgang
just played around with some of my paints to gain back some practice in painting. I realized studying some of the intersting threads here at the forum on painting (aaah can't get enough of those!!!!) that quite a few of you use the grey automotive sprayprimer. Well it never really worked for me, must have gotten the wrong brands, what I used was either ending up as a shiny grey basecoat that peeled off at some occassions or -even when keeping the right spraying distance between nozzle and figure- a too rough almost textured surface. OK that was with my beloved 75mm Elastolins but I doubt that the results would have been any different in 54 mm. I than came back to the ancient Plaka "school" paints - if you had grown up in germany you surely would know these actually really good "casein" posterpaints. The where around long before acyllics became widely available. German Zinnfiguren collectors and painters swear on a white Plaka basecoat for their figures. Still this did not make my day since the white pigments in the paint soaked up a lot of the later applied paint. Irregular basecoat (difficult to avoid with most paints) resulted in a irregular basecoat - somehow.
Then I gave GESSO a try, that is the stuff artists prime their canvasas with. A very thik and heavy paint, almost a paste. Well the secret is to dilute it with a good portion of (god dont know the correct english word so I call it
You should get Gesso everywhere at the local arts dealer shop. Price should be within the 10 € range - ah whereever you may live. One pot (?) will last a collecters lifetime. As for the "B-water" check your local GAS-STATION. If you can' t get the flow improver - or if you are an professional pennysafer -at your art shop, use a drop (YES JUST ONE!) of dishwashing-liquid (.. is that correct???) ... anyway give it a try
regards
Wolfgang