Second Traditions of London Crimean Soldier (1 Viewer)

rcapps

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Hello all. This is my second attempt painting 54mm soldiers. He is a British private from the Traditions of London Crimean War series. I hope you enjoy and I have several questions if you could provide answers.

First, I know obtaining the sharp lines is practice but I feel when I attempt to paint the small areas like belts and straps my paint appears lumpy when it dries. My primer coat is smooth so I know it's my paint. Any idea why this might occur? Is my paint to thick?

Second, I use pretty expensive brushes, around $11 a piece but I have a hard time keeping them clean and sharp. I am using acrylics and constantly change my water for cleaning. However, they just don't seem to maintain their shape and color. Any thoughts?

Third, I just don't like the way I do eyes and lips. My eyes are black dots but they guy looks lifeless or cross-eyed. When painting lips I mix red with a little white and use the definition of the figure. They just don't look good to me. Any advice on painting these two attributes?

As always any assistance you may provide is greatly appreciated.

Respectfully yours,

Robert

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Hello all. This is my second attempt painting 54mm soldiers. He is a British private from the Traditions of London Crimean War series. I hope you enjoy and I have several questions if you could provide answers.

First, I know obtaining the sharp lines is practice but I feel when I attempt to paint the small areas like belts and straps my paint appears lumpy when it dries. My primer coat is smooth so I know it's my paint. Any idea why this might occur? Is my paint to thick?

Second, I use pretty expensive brushes, around $11 a piece but I have a hard time keeping them clean and sharp. I am using acrylics and constantly change my water for cleaning. However, they just don't seem to maintain their shape and color. Any thoughts?

Third, I just don't like the way I do eyes and lips. My eyes are black dots but they guy looks lifeless or cross-eyed. When painting lips I mix red with a little white and use the definition of the figure. They just don't look good to me. Any advice on painting these two attributes?

Hi Robert,
Your first problem could be that your paint is too thick, it could also be that you are going over the area repeatedly and dragging the paint that is half dry. Try painting thin coats and leave a decent interval between successive layers.
Secondly after rinsing your brushes rotate the end against a piece of tissue to get rid of the excess water and re-establish the point. I don't know what type of brush you are using but red sable is the best and last the longest if treated properly.
Thirdly try using dark brown instead of black for your eyes. Assuming you are right handed you will find the figure's left eye the easiest to put in, turn the figure upside down to line up the right eye, that makes it as easy as the other one. Red and white makes the lips too pink, try adding a little red to the basic flesh colour.
Hope this helps. Trooper
 
Hi, Robert!

First, let me say that it's a good job, in the classic toy soldier style. It's good to see another painter among our ranks.

Second, I'd like to second Trooper's points, he's right on the mark about letting one coat cure completely, before applying the next. I'll add that you'll become more aware of the characteristics of each type of paint that you might use. For example, enamels tend to take a little longer than acrylics to dry. And one manufacturer's formula may dry at a different rate than another's, whether acrylic or enamel. And you may find that within any given manufacturer's catalog, one color may have slightly different properties from other paints in the same line. For example, I have a bottle of acrylic flat black from Tamiya, and it wants to dry and clump up almost as soon as it leaves the jar. And even when it looks dry, it may still lift off. But Tamiya's NATO black goes on smooth and cures perfectly. And some colors in Testor's line of enamels in the little square bottles dry relatively quicker than others, but they give a great shine when finished.

For cleaning your brushes, and for thinning your paints, consider the solvents you use, they will differ, depending on the paint. Enamels are best cleaned with a solvent like mineral spirits (which includes turpenoid) or turpentine, which are also good for thinning enamels, should they be too thick. For acrylics, you can use water, but isopropyl alcohol (rubbing alcohol) is better. In fact, for brushes that I use to apply acrylics, I'll dip the brush in a dish of water to remove the bulk of the residue, and then dip them in a jar of isopropyl. Like Trooper, I dry the brushes on a piece of paper towel, though I will drag the brush lightly, pulling it towards me, so the point is away, and dip and repeat, until there's no color coming off on the paper. Same process with brushes used for enamels, or oils, except that the only solvent I use for this is mineral spirts. I use an old ceramic toothbrush holder to store my brushes upright; I used to use a wooden block with holes drilled in it, I also use natural hair brushes, some are sable, others are boar's or horse hair. You can help shape them, too, by pulling the brush head between your forefinger and thumb, pinched ever so lightly, as you put them away.

For eyes, may I suggest that you add a line to represent the eyelash line, to make them look a little more realistic. Look at K&C or Frontline figures, or old Reeves/King-White figures for this. Trooper is right, handedness plays a part, and you might want to do the eye on the side of your favored hand first, then paint the other one to match. Also, you can vary the glance, to give interest to the figure, eg, make him look off to the side, instead of straight ahead (if it makes sense for the figure's pose, of course). Also, try this tip from the world of figure painters and scale modelers-use a toothpick, a straight pin or a needle to deposit a drop of paint where you want the eye dot to be. Oil paint works really well for this, because you can scrape a tiny ball of the paint from the tube, but it works equally well with enamels. For acrylics, I would pick up the dot from the paint that congeals on the underside of the lid.

For the mouth line, I actually use Testor's gloss enamel Wood, instead of any kind of pink/red shade, but that's a personal preference. I use Testor's gloss enamel Cream for flesh, and I think the wood color actually looks best for my preferred scale, 54mm, and the distance to the viewer's eye. When I look at people at a distance of 40', the lips don't really look pink to me. I judge the effect by holding the figure anywhere from half an arm's length to arm's length away.

Also, I use Future floor wax, which is a clear acrylic solution, to seal my figures. I think it makes some colors even deeper, and it protects the surface. That's another trick I learned about in the world of scale modeling; it's used to create a smooth undercoat for decals (prevents silvering) and to dip clear parts (makes them look much clearer/cleaner).

That's a lot to digest, but I hope it helps!

Prost!
Brad
 
I bet I'm dragging the paint as it dries and this causes the lumpy look. I'll make sure to put a layer in one area and then leave the area until the paint is completely dry.

Also, with the figure I'm painting right now I'll try the different techniques for eyes and mouth. Hopefully this will add a little life to the soldier. Once I have this guy, Crimean War drummer, finished I'll post the results and let you know how everything worked out.

Thanks for the help.

Robert
 

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