New Releases For October 2015 -- The Great War 1914-1918 (1 Viewer)

jjDesigns

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THE GREAT WAR 1914-1918
THE FRENCH ARMY


World War I cost France 1,357,800 dead, 4,266,000 wounded (of whom 1.5 million were permanently maimed) and 537,000 made prisoner or missing — exactly 73% of the 8,410,000 men mobilized.
France had 40 million citizens at the start of the war; six in ten men between the ages of eighteen and twenty-eight died or were permanently maimed.


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The use of horses in World War I marked a transitional period in the evolution of armed conflict. Cavalry units were initially considered essential offensive elements of a military force, but over the course of the war, the vulnerability of horses to modern machine gun and artillery fire reduced their utility on the battlefield. This paralleled the development of tanks, which would ultimately replace cavalry in shock tactics. While the perceived value of the horse in war changed dramatically, horses still played a significant role throughout the war.

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GWF-36
THE GREAT WAR,1914-1918
FRENCH CAVALRY 1917-1918,
15th DRAGOON REGIMENT,
WOUNDED TROOPER,
(1pc)



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The military mainly used horses for logistical support during the war; they were better than mechanized vehicles at traveling through deep mud and over rough terrain. Horses were used for reconnaissance and for carrying messengers, as well as pulling artillery, ambulances, and supply wagons. The presence of horses often increased morale among the soldiers at the front, but the animals contributed to disease and poor sanitation in camps, caused by their manure and carcasses. The value of horses, and the increasing difficulty of replacing them, was such that by 1917 some troops were told that the loss of a horse was of greater tactical concern than the loss of a human soldier. Ultimately, the Allied blockade prevented the Central Powers from importing horses to replace those lost, which contributed to Germany's defeat. By the end of the war, even the well-supplied U.S. Army was short of horses.

THE STOKES MORTAR

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The Stokes mortar was a British trench mortar invented by Sir Wilfred Stokes KBE that was issued to the British, Commonwealth and U.S. armies, as well as the Portuguese Expeditionary Corps (CEP), during the later half of the First World War. The 3-inch trench mortar is a smooth-bore, muzzle-loading weapon for high angles of fire
The Stokes mortar was a simple weapon, consisting of a smoothbore metal tube fixed to a base plate (to absorb recoil) with a lightweight bipod mount. When a mortar bomb was dropped into the tube, an impact sensitive primer in the base of the bomb would make contact with a firing pin at the base of the tube, and detonate, firing the bomb towards the target.
The barrel is a seamless drawn-steel tube necked down at the breech or base end. To the breech end is fitted a base cap, within which is secured a firing pin protruding into the barrel. The caps at each end of the bomb cylinder were 81 mm diameter. The bomb was fitted with a modified hand grenade fuze on the front, with a perforated tube containing a propellant charge and an impact-sensitive cap at the rear.
Range was determined by the amount of propellant charge used and the angle of the barrel. A basic propellant cartridge was used for all firing, and covered short ranges. Up to four additional "rings" of propellant were used for incrementally greater ranges. See range tables below. The four rings were supplied with the cartridge and gunners discarded the rings which were not needed.

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GWA-11(60)
THE GREAT WAR,1914-1918
STOKES MORTAR CREW,
(10pcs)


British Empire units had 1,636 Stokes mortars in service on the Western Front at the Armistice.
In World War I, the Stokes Mortar could fire as many as 25 bombs per minute and had a maximum range of 800 yards firing the original cylindrical unstabilised projectile. By World War II, it could fire as many as 30 bombs per minute, and had a range of over 2,500 yards with some shell types

More to follow.................................
 
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GWA-11(31)
THE GREAT WAR,1914-1918
STOKES MORTAR CREW,
(10pcs)





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GWA-11(53)
THE GREAT WAR,1914-1918
STOKES MORTAR CREW,
(10pcs)



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GWB-26
THE GREAT WAR,1914-1918
WAR POETS AND LETTERS HOME,
(2pcs)




The War Poets

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Extract from ‘Dulce et Decorum Est’ by Wilfred Owen

“Poetry, more than any other art form, can capture a moment and preserve it forever. Centuries on, poems allow us to understand what people in the past were feeling, and lets us feel it for ourselves”, writes the producer and director Sebastian Barfield. This is no truer than the poetry written about the Great War. In fact the term ‘war poet’ immediately makes one think of the poems written about that conflict, more than any other conflict in history

In Poets’ Corner in the South Transept of Westminster Abbey in London, there is a slate stone slab commemorating the Great War Poets. There are sixteen names inscribed on it, all of whom served in uniform during the war. Of these sixteen poets, six died in the war.
Although the conflict started over a hundred years ago, reading poems by these poets, such as ‘Dulce et Decorum Est’ by Wilfred Owen, ‘Two Fusiliers’ by Robert Graves, Rupert Brooke’s sonnet ‘V. The Soldier’, ‘The General’ by Siegfried Sassoon or countless others, it is easy to imagine oneself there, experiencing the war first hand. Taken all together, these poems, many of them written in the trenches, create an extraordinary kind of witness – harrowing as well as humbling and heartening; they present the war as a devastating moment in history, and remind us its resonances never end.
So, it is not too difficult to picture a helmeted Tommy sitting on a battered crate, paper in one hand, pen poised in the other…….


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GWB-42
THE GREAT WAR,1914-1918
The Royal Garrison Artillery,
Artillery Crew Standing,
(2 pcs)


More to follow...........................
 
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GWB-52
THE GREAT WAR,1914-1918
The Royal Garrison Artillery,
Artillery Crew Standing with Platform Base,
(2 pcs)




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GWB-54
THE GREAT WAR,1914-1918
The Royal Garrison Artillery,
Artillery Crew NCO,
(1 pc)




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No idea it if was part of Johns inspiration but horse figure reminds me of the painting Remnants of an Army by Lady Butler.

Painting depicted William Brydon, assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. Supposedly Brydon was the last survivor of the approximately 16,000 soldiers and camp followers from the 1842 retreat from Kabul in the First Anglo-Afghan War,
 
No idea it if was part of Johns inspiration but horse figure reminds me of the painting Remnants of an Army by Lady Butler.

Painting depicted William Brydon, assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. Supposedly Brydon was the last survivor of the approximately 16,000 soldiers and camp followers from the 1842 retreat from Kabul in the First Anglo-Afghan War,

That was my thought the instant I saw that view of the rider and the foot figure was out of shot. What a fantastic sculpt!

Wow.
 

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