Gentlemen, The book, whether one volume or two, will cover all of King & Country's production from 1984 until the time I commenced writing the book (last summer). The World War II soldiers chapter (Chapter 3) is already complete. The content of the book is comprehensive, and is not subject to revision. The book is about everything Andy ever produced, not about what interests some collectors as opposed to others. No offense guys, but, as Hans, Larry and I are doing all the work, are not looking to make a profit, and are doing this for the benefit of Andy and you guys as our fellow collectors, we are going to do what Andy charged us with doing: cataloging it all. In any event, unless you see where Andy started, you are never going to fully appreciate how far he has come. It is hard to explain the advantage of seeing some of the early pieces which were well designed and well sculpted, as a forcast of things to come. For all you Napoleonics fanatics out there, here's a sample from chapter 2 about two special early Napoleonic figures:
"The French 7th Hussar was the class of the glossy Napoleonic figures, a truly remarkable figure for the time, which, if painted in a matt finish might stand up to even the present production. For this figure, unlike the earlier Brunswicker, the scabarded saber, the sabertech, and the dolman were each sculpted independently and attached to the figure, adding to the realism of the figures natural posing. The figure stands, appearing to be preening, as if before a mirror or a high ranking officer, holding a map in his right hand at waist level, with his left hand, under the dolman rakishly thrown over his left shoulder, resting on his left hip. His scabarded saber and sabertech realistically hang behind him, with the saber hilt on his left side. He wears a black and red busby, a green dolman with yellow trim, a green pelisse with gold braid, red pants and black boots with gold trim.
The Gordon Highlander Officer is also an exceptional figure whose sculpting and painting are far superior to anything else available at the time, and, if painted in matt might fit in with King & Country’s present production. The officer stands in a very natural pose, left foot slightly forward, with his right hand at his side, and his left hand, left elbow bent, resting on the hilt of his claymore. He wears a black Highland bonnet with a white plume and a red and white checkered trim, a red tunic with yellow facings, white gloves, gray pants and black boots."