whdamon
Corporal
- Joined
- Sep 22, 2009
- Messages
- 442
A couple of photos of a figure I painted recently of George Washington at Ft Necessity. What makes this piece unique is that after cutting off the left hand that was originally cast holding his hat from blowing off, I replaced it with a casting I made using the John Jenkins first club figure. I painted about 20 coats of molding paste (after putting a coat of olive oil first) over the left hand and pistol of the Jenkins piece. Added a layer of gauze to strengthen the mold and more coats of paste. Let it dry for about a month to make sure it was very well firmed up. Slit it open with a very sharpe exacto and pulled it off the figure with no damage (thankfully). Filled the mold with a 2 part modeling epoxy (magic sculpt), let it dry for a day, popped it out of the mold, cleaned it up, super gluded it to the Washington figure, primer, and paint and walla...........
Figure is painted in artist oils over an acrylic undercoat of the base colors. Mounted on a resin base of stockade logs (by Le Meridian of Italy), ground work is putty and various ground covers and grasses (model railroad stuff), then placed on a wooden base. Figure sculpted by Alan Ball (same fellow that did a lot of the Britians Zulus) and cast by Mike Roberts of Virginia.
I must admit...got a big kick out of using toy soldier parts to modify a competition piece. With the high quality of K&C and JJ sculpts, how could I avoid it.
Walt Damon
Figure is painted in artist oils over an acrylic undercoat of the base colors. Mounted on a resin base of stockade logs (by Le Meridian of Italy), ground work is putty and various ground covers and grasses (model railroad stuff), then placed on a wooden base. Figure sculpted by Alan Ball (same fellow that did a lot of the Britians Zulus) and cast by Mike Roberts of Virginia.
I must admit...got a big kick out of using toy soldier parts to modify a competition piece. With the high quality of K&C and JJ sculpts, how could I avoid it.
Walt Damon