aujj65
Colonel
- Joined
- Sep 30, 2005
- Messages
- 9,152
Hi Jeff,
You are clearly making significant progress on the elephant. I am enjoying every minute of your step by step presentation. Now, let me ask a couple of questions:
1.) Why have you only painted the top and front portions of the elephant at this stage of your work? Have you avoided painting the rear and underside of the elephant in order to have a dry surface by which to hold the elephant while you are painting? Or, is there some other explanation?
2.) As I have watched your technique, you paint the raised areas (straps, harness, etc.) first and, in so doing, it seems you have not concerned yourself with making certain all your paint is limited to the raised area. For sake of better terminology, the paint on the raised areas appears to be somewhat "sloppy" and has flowed to a lower surface. However, when you employ the "cutting into raised detail method," you quickly remedy this "sloppy look" by carefully painting over the areas on which the paint from raised surfaces has been deposited. Is my observation correct? If so, the painting time for the raised areas is decreased and the "cutting into raised detail method" becomes the critical factor for clearly distinguishing between the raised items and the lower surfaces. In short, the merit of your method becomes increasingly clear to me.
Thanks a bunch for taking the extra time to demonstrate and discuss your painting technique! I am learning loads from you!
Warmest personal regards,
Pat![]()
It's called "Madness"!
You are correct on all of the above Pat and I'm glad that I can be of some help.
Jeff