Paul Lyon's Alamo (5 Viewers)

Well, this is why my 20X20 garage is full, though I can still fit a couple of bicycles in. The Alamo platform is 12X15 feet. What you realize when you build a model of the fort is that it was way too big-- a line of defensive works 500 feet long, 300 feet deep. Very little of it is left today.

My biggest diorama is a 1:30 scale (and completely overstuffed) RAF airfield which is 12X6, has a control tower, a weather tower and 3 quonset huts and on which I have crammed about 35 aircraft. Your Alamo is 2-1/2 times as big. It must be amazing to see in person!:cool:
 
My biggest diorama is a 1:30 scale (and completely overstuffed) RAF airfield which is 12X6, has a control tower, a weather tower and 3 quonset huts and on which I have crammed about 35 aircraft. Your Alamo is 2-1/2 times as big. It must be amazing to see in person!:cool:

Stop by and see it if you get to my part of the woods ever. Open invitation to everyone here. Of course, up close you can see all of the flaws, so I will make sure you have beer.

Send me a message for more contact information.
 
Those photos look great, excellent work! I am working on 40MM Alamo and figures for wargamming purposes. So my compound will be very mdoular.

Did you scratchbuild all of the building components?

Walt
 
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One of my working maps for the model, based on one of the most reliable plats, by Capt. Edward Everett (1848 or 49, despite the date on the map). He omitted all of the wooden and adobe structures that remained; most of the single walls and defensive works were gone by this time (the battle was in 1836).

The yellow lines are the pathways most likely used in the fort, which "enter" at the main gateway (to the left, or south) and the eastern (bottom) and western posterns. These pathways are important in reconstructing the movement of troops during the battle, both for the Mexican assault and the Texans falling back into the larger buildings on the eastern end.

But the movements of the attacking troops are also dictated by the green lines, which are some of the artillery kill zones. The columns were ordered to attack to get close up under the walls before the cannons could be fired; but the surprise was foiled when the attackers couldnt contain their excitement and started shouting Vivas.

The big red lines show the entry points of the assault force, the largest incursion on the north with about a thousand men. The entry on the southwest was only about 100.

The long west wall along the top of the map was approximately 525 feet long. The buildings marked "E" are pretty much a mystery; we know they were there in the peaceful time before the war and gone after the battle. To accommodate the unknown status, I put them into the model in a ruinous condition, or missing rooms, etc. They were almost all either adobe or wooden construction.

It is interesting to note that most of these ambiguous buildings are at the sites of the cannon ramps, which were made of dirt, rubble, and incorporated ruined arcades. After the battle, the occupying commander, Andrade, was ordered to demolish all of the fortifications.
 
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Overlay of the old fort on the modern grounds. The current streets follow the old pathways through the Alamo.
 
Preparation of figures for the northwest corner of the Alamo (Col. Travis' post; he appears as the one who is crouched, hatless, with blue coat). Marx 60mm Mexican War Mexican soldiers, Conte plastic Alamo Mexicans, and Italieri 60mm 95th Rifles (using Baker Rifles with sword bayonets, surplus equipment sold to the Mexican Army and used at the Alamo).

Showing some figures with some modifications. The object is to make it look like every figure is an individual, even when doing similar things. In this case, I am faced with the problem of 7 soldiers all priming their muskets exactly in the same pose.

Cut, melt, glue, twist arms.

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Adding some of the Italieri, who in fact have the shakos that are not the right shape.

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Some painting after modifications. I have added bayonets to some figures.

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Almost ready; trying out different positions for placement against the wall.

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Placed into model but not glued; may be repositioned later, some details of the uniforms are unfiinished, but I try to leave some things undone-- the key to relaxing and enjoying the model for a long time.
 
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Officer directs placement of the ladders at the northwest battery of the Alamo.

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Travis confronts Col. Mora, one of the first Mexicans over the wall.

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Looking from the northwest to the northeast corner.

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Fierce fighting on the northeast corner.
 
Showing some figures with some modifications. The object is to make it look like every figure is an individual, even when doing similar things. In this case, I am faced with the problem of 7 soldiers all priming their muskets exactly in the same pose.

Cut, melt, glue, twist arms.

Thos are great before and after pics, very well done.

Walt
 
I know that this is your post but I thought you might like to see my Mexicans on Ladders. The Conte figures can be converted to fit Marx ladders as you have done.

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Paul, you have a wonderful diorama, huge one. I have a question: are you using flash? because some of your photos seems to be very bright, consequently hide some of the details.

Regards.
 
With the Contes, just swop heads. I don't know if a man with a head wound on that morning had time to bandage his head, but why-the-heck not use that Conte head?
 
I'm going to steal Scott's ideas about the Conte conversions of those poses, but the thing is that Conte doesn't give you enough figures of each pose. It's true that you can swap their heads, but some of those facial expressions are worthless-- they have their mouths wide open, making everyone look like they're singing in a choir.

I wish Conte would sell loose figures. All these companies have always made way too many marching and shooting figures; the truth is that armies of this type spent only a fraction of their battle time actually firing a weapon, especially in an assault on a fort. They look cool, but I'd much rather have 500 soldiers who were just walking.

Some details for Alamo enthusiasts: lose all the backpacks and fix bayonets to comply with Gen. Santa Anna's explicit orders for dawn March 6. Also, leave blankets (serapes?) and overcoats in camp. Shako chinstraps are to be secured-- these are ordinarily gilded, as the Napoleonic, and sometimes shown anchored up over the plume.

Of course, who obeys all orders?

I am not a very good photographer, and haven't learned how to not use the flash and when. The best pictures, though, turn out to be the ones I once took with a disposable camera, 7.99 from the supermarket. It made everything slightly gray and smokey.
 
Scott, that is a great Alamo setup you've been working on also.
Looking forward to more photos.

Walt
 
Thanks, Mine will probably stay unpainted and not a permanent diorama.
 
Nothing wrong with that. All the figures look great in the homemade Alamo compound on your website.

Walt
 
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Scenes on the south end of the Alamo; storming the main gate.

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Scotty at the palisade; the King & Country figure based on the defender who had a "duel" with Crockett using musical instruments. Crockett to his right.

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Storming the southwest corner and 18-pounder.

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On the south end, the fight at the lunette that covered the main gate.

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Cazadores with Baker rifles shot on the south end of the Alamo.

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Atop the chapel, marksmen are able to pick off lancers so long as they are far enough away from the building. These are aiming off to the south.
 

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