New Releases for January 2022 - The Age of Arthur (1 Viewer)

Julie

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NEW RELEASES FOR JANUARY 2022
THE AGE OF ARTHUR
THE NORMAN ARMY

William Duke of Normandy (c. 1028-1087), usually known as William the Conqueror was the first Norman King of England, reigning from 1066 until his death in 1087.

In the 1050’s and early 1060’s, William became a contender for the throne of England held by the Childless Edward the Confessor, his first cousin removed.
There were other claimants. Including the powerful English earl Harold Godwinson, whom Edward had named as King on his deathbed, in January 1066.
William argued that Edward had previously promised the throne to him, and that Harold had sworn to support his claim.
Throughout the summer of 1066, William assembled an army and an invasion fleet in Normandy. This force included, in addition to troops from William’s own territories of Normandy and Maine, large numbers of mercenaries, allies and volunteers from Brittany, Northeast France and Flanders.

The Battle of Hastings took place on the 14[SUP]th[/SUP] October 1066. Although the numbers on each side were about equal, William had the advantage of having both cavalry, infantry and many archers.
Harold had only foot soldiers, and few archers. The English formed a shield wall along a ridge, and were initially so effective that the invading Norman army was repeatedly thrown back with heavy casualties.
Towards the end of the day some of William’s Breton troops panicked and fled, with some of the English troops pursuing the fleeing Bretons. These English troops who had broken ranks, were themselves attacked and destroyed by the Norman mounted knights.
Norman knights were armoured warriors that fought on horseback, with lance , sword and shield. These were the Norman “secret weapon” as nothing like them had been seen before in England. There were between 1,000-2,000 Norman knights in William’s army, and it was these troops which proved decisive to the invading army’s victory.
Two further Norman retreats were feigned, which once again drew the English into pursuit and expose them to repeated attacks by the Norman cavalry.
It appears that the decisive event was Harold’s death, of which there are differing versions which are told.
William of Jumieges claimed that Harold was killed by the Duke himself.
The Bayeux tapestry shows Harold’s death by an arrow to the eye.

We know that the English forces were deployed in a dense shieldwall formation at the top of a slope, (which newer sources suggests was Caldbec Hill), with their flanks protected by woods, and with marshy ground in front of them.

What is known about the Norman deployment, is that Duke William appears to have arranged his forces in 3 groups or “battles”. The left “battle” consisted mainly of Bretons, and was led by Alan The Red.
The Centre was held by the Normans, under direct command of the Duke, and the right was commanded by William Fitzosbern and Eustace II of Boulogne, and consisted of Frenchmen. and mercenaries from Picardy, Boulogne and Flanders.
The front lines of the invading force were made up of archers, with a secondary line of foot soldiers armed with spears and swords. The cavalry was held in reserve.
The Norman disposition of forces implies that the plan was to open the battle with archers, weakening the enemy with arrows, followed by infantry who would engage the shieldwall in close combat. The infantry would create openings in the English lines that would then be exploited by cavalry charges.
It is believed that the early barrage of arrows, probably had very little effect on the English shieldwall, due to the higher position of the English on the ridge.

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NM-54
THE AGE OF ARTHUR,
THE NORMAN ARMY,
BRETON CAVALRY.
(2 pcs)

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THE VIKINGS
THE VIKING “SHIELD WALL”

The formation of a shield wall (Skjaldborg in Old Norse) was a popular military tactic that was commonly used in many parts of Northern Europe, especially England and Scandinavia.
There were many slight variations of this tactic, but in general, a shield wall was a “wall of shields” formed by warriors standing in formation shoulder to shoulder, holding their shields so that they abut or overlap. Each warrior benefited from the protection of his neighbours’ shields as well as his own.
The shield-wall tactic suited inexperienced troops such as the English Fyrd or free peasant, as it did not require extraordinary skill, being essentially a shoving and fencing match with weapons.
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The first three ranks of the main wall would have been made up of select warriors, such as Huscarls and Thengs, who carried heavier weapons and wore armour. The vast majority of opponents were armed with spears, which they used against the unprotected legs or faces of their opponents. Often soldiers would use their weapons to support each other by stabbing and slashing to the left or the right, rather than just ahead. Short weapons such as the ubiquitous seax could also be used in the tight quarters of the wall.

The tactic was used at the Battle of Stamford Bridge, where the relatively well-armed Saxon army attacked the army of King Harald Sigurdsson of Norway. The Vikings were not wearing as much armour, having left their chain mail behind on the ships and wearing only their helmets, and after a bloody shield wall battle, they broke and fled in panic.
The drawback of the shield-wall tactic was that, once breached, the whole affair tended to fall apart rather quickly. Relatively lightly trained fyrdmen gained morale from being shoulder-to-shoulder with their comrades, but often fled once this was compromised. Once the wall was breached, it could prove difficult or impossible to re-establish a defensive line, and panic might well set in among the defenders.


Although the importance of cavalry in the Battle of Hastings saw the end of the shield wall tactic, massed shield walls would continue to be employed right up to the end of the 12[SUP]th[/SUP] Century, especially in areas that were unsuitable for large scale mounted warfare, such as Scandinavia, and Scotland.

In the late Middle Ages, the shield was abandoned in favour of polearms carried with both hands, giving rise to pike square tactics.

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VIK-29A
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(1 pc)

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VIK-29B
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(1 pc)

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VIK-30A
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(1 pc)

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VIK-30B
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(1 pc)

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VIK-31A
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(2 pc)

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VIK-31B
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIOR ,
(2 pc)

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VIK-293031A
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIORS ,
(4 pc)

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VIK-293031b.jpg


VIK-293031B
THE AGE OF ARTHUR,
THE VIKINGS,
VIKING WARRIORS ,
(4 pc)

VIK-293031b_2_.jpg


THE ALMORAVIDS

The Almoravids, also known as the Murabits, were a fundamentalist Islamic movement of the 11[SUP]th[/SUP] and 12[SUP]th[/SUP] Centuries. Founded by Ibn Yasin, in southern Morocco, they combined devotion to Islam with a fierce military tradition, and a desire to conquer. In 1070, the Almoravids established their capital city at Marrakesh, which at the time, was little more than a mosque in the desert surrounded by the tents of the faithful.

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ALM-06
THE CRUSADES,
EL CID AND THE RECONQUISTA,
THE ALMORAVIDS,
ANDALUSIAN MERCENARY KNIGHT.
(3 pcs)

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ANDALUSIAN CASTLE

The impact and early significance of castles in Spain can be measured by the fact that the noun “castle” (from the Latin castella meaning “castles”) forms the origin of the name of Spain’s historically most powerful kingdom: Castile. And the history of Castile –the land of castles– projects itself widely over the history of Spain,

Castles were not built only in response to hostility between Christians and Moors but also by Christian and Moorish rulers to control internal conflicts. They were also constructed by ambitious and rebellious nobles on both sides, especially in those areas far removed from immediate royal authority.

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Villages and towns frequently established themselves around castles, creating hubs that provided work for the inhabitants. In times of hostility, those inhabitants could seek protection inside the castles. In return for protection, villagers often surrendered their freedom and became vassals of the lord of the castle, creating one of the most identifiable social structures associated with this period: feudalism (in general terms, a contract whereby a king or lord allowed a vassal to use his land in return for homage and service whenever called upon).
However, in Spain, and more specifically in the medieval kingdoms of Castile, León, Navarre and Aragón, the feudal system never took firm root because of the need to encourage citizens to populate or repopulate lands on the borders with Muslim al-Andalus.
Castles were built and existing towns strengthened as centres of resistance to the threat of Muslim expansionism. In return, monarchs or nobles offered willing citizens certain inducements/privileges (e.g. ownership of land, freedom from taxation, keeping the profits of war) for settling and defending frontier zones.
These privileges –legally recorded and known as fueros or charters— differed from area to area, but in general they outlined both the obligations and freedoms of the settlers and protected them from servitude.

From an early date, the main defensive wall of Spanish, especially Muslim castles had square or rectangular towers. Christian fortresses were more likely to have semi circular towers, whose advantage was that they were better to deflect stones and arrows.
The square tower still prevailed in Moorish castles into the 13[SUP]th[/SUP] and even 14[SUP]th[/SUP] centuries.

The “horseshoe arch” was another characteristic of Muslim castles, with the double horseshoe “Gate of Justice” the main entrance of the Alhambra fortress being a magnificent example.

The separate castle sections will allow for a variety of diorama set ups, varying from a full four sided castle! To a simple shelf backdrop.

Pictured below are 2 examples of how the Castle sections could be set up.

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Shelf Backdrop as in picture, 4” depth x 32 ½” length x 12 ¼” height (15 ½” including Flags)

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Movie Backdrop, 4” depth x 31” length x 12 ¼” height (15 ½” including Flags)

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AND-102
THE CRUSADES,
EL CID AND THE RECONQUISTA,
ANDALUSIAN CASTLE,
CASTLE TOWER.
(2 pcs)


TOWER: 4” depth x 4” length x 12” height (15” includes Flag)
SHIPPING CARTON SIZE: 15 ” x 7” x 6 3/4”
SHIPPING CARTON WEIGHT: 2.65 kg

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PLEASE CONTACT YOUR LOCAL DEALER FOR FURTHER INFORMATION
 
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These new Vikings look incredible, I have ordered the latest three figures, the baldhead kneeing figure looks great.
JJ are going from strength to strength.
 
These new Vikings look incredible, I have ordered the latest three figures, the baldhead kneeing figure looks great.
JJ are going from strength to strength.

yes...the 3 piece Viking set looks very cool...it's on my list too...
 
yes...the 3 piece Viking set looks very cool...it's on my list too...

Scanning the picture there looks to be some great releases, the wounded prone viking also looks like a must have, while the new axemen look awesome, plus the death viking will be useful.
 
Pre-orders made . . . ouch!$!$$$$! . . . January is going to be expensive
Mike
 
I don’t understand the Vikings having shields but not using them to protect themselves. That seems weird. One of the few Viking releases I will skip.
 
I don’t understand the Vikings having shields but not using them to protect themselves. That seems weird. One of the few Viking releases I will skip.

I think the mechanics of the sculpts with the shields held but not be using defensively depict these things:

-In a full force, right handed counter swing of a heavy, one handed weapon, the left arm will naturally fly open to the left (yes, exposing the body but it would be necessary in cases where a full force strike is desired). This type of power blow could be deployed after the adversary has already administered a similar attack and has quickly recoiled, regathered in a defensive position.

-A forceful, hip-twisting, one handed javelin thrust forward requires a counterbalance measure by the opposite arm as to not stumble forward. Swinging the shield arm open also allows for further extension of the weapon arm.

Joe
 
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I think the mechanics of the sculpts depict these things:

-In a full force, right handed counter swing of a heavy, one handed weapon, the left arm will naturally fly open to the left (yes, exposing the body but it would be necessary in cases where a full force strike is desired). This type of power blow could be deployed after the adversary has already administered a similar attack and has quickly recoiled, regathered in a defensive position.

-A forceful, hip-twisting, one handed javelin thrust forward requires a counterbalance measure by the opposite arm as to not stumble forward. Swinging the shield arm open also allows for further extension of the weapon arm.

Joe

A great explaination Joe . . . Nicely thought out and presented.
Mike
 
this set of 3...I thought it was just a section of the Viking shield wall that was penetrated and was collapsing...
 
this set of 3...I thought it was just a section of the Viking shield wall that was penetrated and was collapsing...

That's a good point Mike- I can see the set as depicting a forced transition to melee fighting when the formation is breached resulting in a loss of cohesion and central control.

Joe
 
Regardless of what our imagination tells us what these figures are doing I really like them and have ordered all three. When grouped together in mass they make a very impressive shieldwall.
Mike
 
Great discussion, about the figures, not getting personal, love it. I have 21 Vikings and use them attacking a Fyrd Shield Wall. Have ordered the new 3 figures, the kneeing one i will use a little further back from the fight, as if he has been killed, next to VIK05 [the figure which got me hooked on the series] while other two will be attacking the wall. I can see all points of view, but see the axeman as if he has swept his shield from right to left sweeping away at the shield wall and then following up with an overhand axe attack. While the figure with the spear is lunging at distance to attack the wall. From the picture i can also see where they would fit in a Viking shield wall and the two standing figures are protecting the kneeing 'wounded' Viking. Fits in well with Vik 26/27/28.

But lets be honest, John comes at you from all directions with great figures and you will spend your money on other sets. I've just invested in 2 sets for the USS Bunker Hill and will be getting a Corsair at the March London Show, will begin with the Ordinance group. Plus i have purchased my first 2 Almoravids. As like many of us It is not if i buy but what i buy.
 
this set of 3...I thought it was just a section of the Viking shield wall that was penetrated and was collapsing...

Darn it. Now I have to consider buying them. I think you are right and they look good from that point of view.
 
That's a good point Mike- I can see the set as depicting a forced transition to melee fighting when the formation is breached resulting in a loss of cohesion and central control.

Joe

Yeah, he nailed it. I didn’t see that possibility.
 
Darn it. Now I have to consider buying them. I think you are right and they look good from that point of view.

I can see where you are coming from, but looking at the large group picture i think they would fit in really well as a wall on the brink of breaking, with the break being the dead/wounded figure opening up the wall and the 2 behind protecting the front kneeing figure, with the other dead and wounded figures coming out this would be a great disintergrating wall, while i also think they would work after the wall has broken and the struggle would have took more on 1 on 1 or 1 on 2 fighting. The only thing for me is i will not probably buy both the kneeing figures as they are two distinctive to put in the same dio, might have been better to see two different heads on them as well as different shields.
 
This is a great conversation. Regardless of the conversation I have learned this about toy soldier collecting. When something is available and you love it buy it while you can, if you like it the same applies, if you are not sure same again. If you don’t like it don’t buy it. So many times we doubt a purchase and the next thing it’s not available. You can always resell later. I have every single Saxon and Viking from this range and all the Normans except William. I just don’t like that pose, I would prefer a fighting or commanding pose.
jas
 
As Mike Miller pointed out on the JJD Facebook page the 3 piece Viking set released this month is probably the best Viking set John has done. Great poses and great faces. Fantastic
 

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