Guys
Many thanks for your kind supportive comments-once again greatly appreciated especially from one's peers. I'm also very pleased you are enjoying the shots and text as most probably like you I never tire of the Alamo story-albeit that Santa Anna described it as
"but a small affair" it served as a catalyst for The Texas War for Independence.
As some of you pointed out in your comments which I will confirm it did take a considerable amount of time to set up the shots-especially the Mexican advance across the plaza-once again initially I just couldn't get it to look right in a photo even though it looked OK as a dio-consequently, a lot of trial and a hell of a lot of error so please bear with me as it might well take a good couple of weeks before I can post the next chapter.
A few quick answers to some of your questions/comments.
Firstly a big thank you to Michael (kilted vamp) who early last year tracked down and shipped a whole shed load of Barszo adobe walls for me as a fallback in case my original idea of making foam walls didn't work-as I stated they sure didn't, I suppose they were OK at a distance but nowhere near the top quality some of you guys have knocked up and posted. Thanks Vamp as Barszo pieces are nigh impossible to get UKside.
Rod-The figures are the K&C series with some old metal Conte sets that look pretty good mixed with K&C. However, some of the plastics that eborris has posted are really exceptional and I wish I had access to them this side of the pond.
Ron- Yes you did spot a K&C Nap officer with a little paint job to turn him into a Mexican (I wouldn't have expected anything else from you
) and if you look carefully you will see a Britain's Collectors figure of a Nap sapper repainted as well. During the next couple of chapters you will see a few more. Santa Anna apparently bought a large number of surplus Napoleonic uniforms from the French government for his troops as well as crate loads of Baker rifles and Tower Musket, Mark III's better known as the Brown Bess from the British. So displaying slightly re-painted Naps is a fairly safe bet-if you discount the fire-arms. However, as a couple of the guys quite correctly stated on here after hard marching from Mexico to Texas whether they still would have looked as spick and span as the figures is another story.
Michael (maddicus) I'm sorry that I didn't use your favorite Duke Wayne model of Crockett for the dio although I do have the Conte figure of him. I too prefer the Billy Bob Thornton version-in fact I believe that his interpretation of Crockett in the latest movie "The Alamo" is the closest to the real David Crockett ever portrayed on film. The burden of his celebrity weighed heavily upon him and being penniless he really only came to Texas to claim his free 640 acres of land. As he claimed he never even knew there was a war going on until he got there. And am currently working on a remolded figure of Billy Bob swinging his musket over his head.
Lancer- I like your alternative history angle suggestion that lets the Texicans win this time and if I was playing war-games I no doubt would attempt to rally James Fannin and his relief column and get them to Travis & Bowie in good time to give Santa Anna hell. But.............
Scott- Your A....H....(your words not mine) comment re the whole action taken place in the dark! Yes, I was aware of that and actually tried a couple of flash shots with all the spots turned off that illuminates the work-base and shooting through a gauze sheet-final result-you could see no detail whatsoever-proving to me why 90% of Hollywood's interpretations of the Alamo final assault have been shot in bright sun-light. It's called artistic licence.
Thanks again guys.
Reb