Not sure its history that is the problem it is the way it is interpreted by individuals or groups that causes the problems. The magazine and editorial were an individuals response to his personal and obvious dislike of the Nazi's. He did in other responses say that it was not Germans per se but Nazi's he had issue with.
There was no problem in discussing the set in detail but, it was not we discussed or Stuart did the image behind it and kind of went of on a tangent. Its just how the set was negatively seen by the editor and the worry the negative effect it would have on sales that caused Andy to respond like he did.
For me, at least, it showed that regardless of the money paid for advertising the magazine remained independent of the influence large companies think they have or, should have when they have some clout in a given area.
As I said the response was sufficient up to the point where he began to go on about advertising money to exert some form of extra pressure on the magazine. You have to accept that some won't like the things you release (even if the reasons are not about the actual aesthetic traits of the set but a morally held opinion of a regime) Its a bit like on here some like some don't but, trying to supress what you don't like by certain means is wrong no matter who you think you are.
Mitch
UOTE=Jack;597821]History is always problematic. If a Zulu viewed my collection he would see Rorkes Drift, if a native American viewed Larso's collection he would see his own possibly painful history, and what about the Crusades? Figures from the age of Empires?
A magazine criticising figures on moral grounds yet simultaneously taking paid advertising is a tricky one. I think either act is completely justifiable, just not both at the same time. If you set the bar high for moral behaviour in others you need to be sure that you can withstand similar scrutiny.[/QUOTE]