Jack
Major
- Joined
- Dec 16, 2011
- Messages
- 6,347
Great song.....I have it on the Jukebox with a few more Western and WW2 related movie theme songs
[Cheers
Martyn![]()
Another Johnny Horton fan ... excellent ... I thought I was the last!!
Great song.....I have it on the Jukebox with a few more Western and WW2 related movie theme songs
[Cheers
Martyn![]()
Another Johnny Horton fan ... excellent ... I thought I was the last!!
:salute::
Now to find Sink the Bismarck ^&grin
Cheers
Martyn![]()
As I said I watched it with new eyes.
Will try and get hold of the Man who Shot Liberty Valance next.
ANyone have any comments or insights about that one I would read them with interest
That I don't see. I would actually reverse that statement. To me, High Noon also progressed beyond sterotypes since the Coop's marshall was hardly a conventional hero, nor did he fight like one. I think both had a fairly different take on the so-called myth of the West. I am not alone in this view. Consider the comments by Howard Hawks who very much disliked the film, "I made Rio Bravo because I didn't like High Noon. Neither did Duke. I didn't think a good town marshal was going to run around town like a chicken with his head cut off asking everyone to help. And who saves him? His Quaker wife. That isn't my idea of a good Western." No disrepect to the Duke or Hawks, fortunately most critics and filmlovers think otherwise.I think that High Noon is a great Western but The Searchers is a great movie. It transcends the genre by moving beyond the stereotypes and offering quite a revolutionary take on the myth of the West. For all its iconic status, High Noon is quite a conventional story, albeit a very good one.
....
Damian
Here's the link to a magazine article I wrote last year about Liberty Valance. You might be able to pick the bones of the story out of it.
http://www.stack.net.au/bobj-featur...-Corner-THE-MAN-WHO-SHOT-LIBERTY-VALANCE-1963
Bob
Rob, don't miss Red River if you are a western movie fan. It is one of Wayne's best. John Ford himself expressed admiration for the acting job Wayne did for Hawks (Red River Director). It is a terrific western centered around a cattle drive, but the real story is with the characters, especially the play between Wayne and Clift. It is well worth your time to watch. -- AlBob,
Loved the link mate, great to read your article.
I've heard good things about the Duke's ' Red River', what do you reckon Bob?
Rob
I'm a big Johnny Horton fan, too. His songs were the songs of my youth, down in the dirt with my Marx army men. Boy, do those songs bring back the memories. Bismarck and New Orleans were my favorites, along with Laine's Gunfight at the OK Corral.^&grin -- Al
Bob,
Loved the link mate, great to read your article.
I've heard good things about the Duke's ' Red River', what do you reckon Bob?
Rob
Is it just me but is pretty much everyone on this Forum called Rob, Bob, Wayne or Scott?{sm4}
Damian
Here's the link to a magazine article I wrote last year about Liberty Valance. You might be able to pick the bones of the story out of it.
http://www.stack.net.au/bobj-featur...-Corner-THE-MAN-WHO-SHOT-LIBERTY-VALANCE-1963
Bob
YEs but that is why an ordinary sort of person can relate to High Noon. Most of people are not heroes just ordinary guys trying to get by but sometimes the ordinary guy is asked to do something out of the ordinary.That I don't see. I would actually reverse that statement. To me, High Noon also progressed beyond sterotypes since the Coop's marshall was hardly a conventional hero, nor did he fight like one. I think both had a fairly different take on the so-called myth of the West. I am not alone in this view. Consider the comments by Howard Hawks who very much disliked the film, "I made Rio Bravo because I didn't like High Noon. Neither did Duke. I didn't think a good town marshal was going to run around town like a chicken with his head cut off asking everyone to help. And who saves him? His Quaker wife. That isn't my idea of a good Western." No disrepect to the Duke or Hawks, fortunately most critics and filmlovers think otherwise.
That I don't see. I would actually reverse that statement. To me, High Noon also progressed beyond sterotypes since the Coop's marshall was hardly a conventional hero, nor did he fight like one. I think both had a fairly different take on the so-called myth of the West. I am not alone in this view. Consider the comments by Howard Hawks who very much disliked the film, "I made Rio Bravo because I didn't like High Noon. Neither did Duke. I didn't think a good town marshal was going to run around town like a chicken with his head cut off asking everyone to help. And who saves him? His Quaker wife. That isn't my idea of a good Western." No disrepect to the Duke or Hawks, fortunately most critics and filmlovers think otherwise.
Bob,
Loved the link mate, great to read your article.
I've heard good things about the Duke's ' Red River', what do you reckon Bob?
Rob
Rob, don't miss Red River if you are a western movie fan. It is one of Wayne's best. John Ford himself expressed admiration for the acting job Wayne did for Hawks (Red River Director). It is a terrific western centered around a cattle drive, but the real story is with the characters, especially the play between Wayne and Clift. It is well worth your time to watch. -- Al
Is it just me but is pretty much everyone on this Forum called Rob, Bob, Wayne or Scott?{sm4}
Rob
I go with Al on this one and he's right about Ford's reaction in fact his comment after viewing Red River was "I never knew the big SOB could act".
Rob in my book (and many will disagree) Wayne made one masterpiece of a western which we have all been discussing and three great great westerns- Red River; Rio Bravo and She Wore A Yellow Ribbon. All four Wayne movies should be in any western cineophile's collection.
The rest for me are between downright entertaining (True Grit; The Horse Soldiers; Hondo; The Shootist etc). Amusing to watch on a wet Sunday afternoon ( The Sons of Katie Elder; McLintock; The Comancheros etc.) to absolutely puerile.(The Train Robbers; Big Jake; Rio Lobo etc) But then again that's just my opinion. ^&grin
Bob
Absolutely. I am not sure High Noon was the first to feature this but it certainly ran against the grain for Westerns up to that time. It is ironic that what bothered the Duke about it (to the point of calling it the most anti American film he had ever seen) was one of its greatest strengths. It also had a great touch of irony, Kane being saved by his Quaker pacifist wife Amy, Kane's former mistress giving Amy the courage to save Kane, among many others.YEs but that is why an ordinary sort of person can relate to High Noon. Most of people are not heroes just ordinary guys trying to get by but sometimes the ordinary guy is asked to do something out of the ordinary.
....
Seriously though, I love this discussion about movies. I am a big fan of Rio Bravo which I see as great entertainment rather than a classic as such. I just watched James Garner in 'Support Your Local Sheriff' which is a comic take on the Rio Bravo/High Noon scenario. Have you seen it?
I am a fan of Garner, as well. I really like Rockford. I think his Hour of the Gun and Duel at Diablo deserve a lot more attention than they have earned. -- AlAbsolutely. I am not sure High Noon was the first to feature this but it certainly ran against the grain for Westerns up to that time. It is ironic that what bothered the Duke about it (to the point of calling it the most anti American film he had ever seen) was one of its greatest strengths. It also had a great touch of irony, Kane being saved by his Quaker pacifist wife Amy, Kane's former mistress giving Amy the courage to save Kane, among many others.
I have seen it several times. James had a great comedic touch and a great sense of timing, as so nicely displayed in his long runniing and still enjoyable Rockford Files Maverick series.